16th century, Tibet, Chakrasamvara, gilt copper alloy, private collection, photo by Bonhams.
The deity and his consort stand on two victims, over a single lotus base with an unusual petal arrangement and geometrical incisions between two rows of beading.
He has four heads with three eyes and twelve arms, she has one head and two arms. They both wear skull crowns and turquoise-inlaid jewellery. He has a crescent moon and an effigy of buddha Akshobhya in his headdress and large earrings shaped like four-petal flowers recalling visvajras (double thunderbolt sceptres).
Same as before, photo by Christie’s.
They hold the usual attributes, skull cup and flaying knife for her, elephant hide, drum, axe, flaying knife, vajra sceptre, trident, for him in his right hands, elephant hide, staff, skull cup, noose, Brahma’s head on the other side.
16th century, Tibet, Chakrasamvara, gilt copper alloy, private collection, photo by Nagel auctions.
Vajrayogini usually stands on one leg and holds the other around his waist.
16th century, Western Tibet, Chakrasamvara, gilt copper alloy and pigments, at the Musée Guimet in Paris (France).
He normally has black or bluish hair but this one has red hair.
16th century, Tibet, Chakrasamvara, gilt copper alloy and pigments, private collection, photo by Sotheby’s.
On this and the previous example the consort has both legs around his waist, a feature observed on 16th and 16th-17th century works (and associated with the Luipa tradition).
Same as before, private collection, photo by Bonhams.
Her hair is often painted with red pigment.
17th-18th century, Tibet, Chakrasamvara, wood and pigment, private collection, photo by Koller.