Chanda Vajrapani, brandishing a vajra sceptre in his right hand and doing a threatening gesture with the other while holding a (missing) lasso, adorned partly with snakes and partly with princely accessories including a five-leaf crown.
15th-16th century, Tibet, Vajrapani, gilt bronze, private collection, photo by Sotheby’s, published in ‘The Buddhist Deity Vajrapani’ by Gouriswar Bhattacharya on Academia.eduThis one wears a tripartite crown with a large floral design and wide bows, bulky jewellery, a sacred cord, small snakes around his wrists and ankles.
The author of the article points out that on this image Vajrapani has one foot on a snake and the other on a human victim. Also, the long snake used as a sacred thread goes over his right shoulder (on early works it is usually over the left shoulder but on the first picture and on the next one it is also worn over the right shoulder). Among his princely jewellery we will note the cross-belt with a central flower and ‘raining-jewel’ pendants.
17th-18th century, Tibet, Vajrapani, copper alloy and pigments, photo by Capriaquar on Academia Edu .
Late Tibetan sculptures of wrathful deities are often in the Chinese style, with a much fiercer look, bushy eyebrows, pointed fingers and toes, sharp flaming hair, a flat scarf with serpentine ends, and the tail of the tiger skin dangling at the front.
Wrathful Vajrapani with a tripartite hair bunch – see the new page in the ‘comparing works’ section of this blog in the left-hand margin- and a bell in his left hand.
Vajrapani with an upturned bell in his left hand, crushing a single victim with a human appearance.