12th century or later, Tibet, Karmapa 1, Düsum Khyenpa, bronze, private collection, photo on Hardt .
A portrait of the first karmapa, Düsum Khyenpa, in full monastic attire, his right hand calling Earth to witness, the left hand held in the meditation gesture, his eyes inlaid with silver, his lips and the hem and seams of his garment inlaid with copper, in the style of 13th and 14th century Tibetan sculptures (defined as ‘Monastic Period’ works on Himalayan Art Resources) but with different body proportions, a larger lotus base with copper beading on the rim, and a plain hat. The same item is labelled ’14th century, Sino-Tibetan’ on Leclère .
16th-17th century, Tibet, Karmapa 1, Düsum Khyenpa, gilt bronze, private collection, photo by Christie’s.The same personage, his right hand doing the gesture of debate/teaching, the other supporting a (missing) book, dressed in silk garments with an embroidered border.
A non-identified karmapa, wearing the traditional black lotus hat with a visvajra symbol at the front and a crescent moon-and-sun disc symbol above it (barely visible here).
A singular sculpture of a hierarch seated on a throne with both legs pendent, his feet placed on a lotus platform attached to the base, holding the stem of lotuses. The crescent moon-and-sun disc symbol is at the front of his hat, there may be a visvajra above.
A rare image of a hierarch with a large urna (the stone now missing), holding a long-life vase in his left hand. His lotus hat is decorated with a sun-and-moon symbol at the front and topped with a half-vajra finial.