Peaceful Vajrapani stands on a small lotus base over a tortoise pedestal engraved with a foliate motif, surrounded by a halo of serrated flames and framed by tall lotuses – one of which supports a vajra-handled bell (ghanta). He holds his other attribute, the vajra, upright at heart level. Gilt sculptures are not typical of Pala art The cold gold and pigments on the face and hair suggest that the statue was worshipped in Tibet at some stage.
The stiff pose, the large central panel on the crown, the squarish face, the brassy metal and the treatment of the face recall works attributed to various western regions of the ancient Tibetan kingdom. Vajrapani holds both attributes in his hands while the lotuses form part of the back plate. Flames are engraved around the mandorla and the tortoise pedestal is decorated with incised geometrical motifs and two elephants at the front.
This figure displays typical Pala elements such as the tiered conical chignon, the swerving torso and the small lotus pedestal, but also West Tibetan elements such as the dhoti shorter on one side, the sash sticking out rigidly at calf level, the morphological disproportion and the way the vajra is fastened to the hand.